![]() ![]() In the background, the moon also rises, and uninjured men play association football in blue and red shirts, seemingly unconcerned at the suffering all around them. Biplanes dogfight in the evening sky above, as a watery setting sun creates a pinkish yellow haze and burnishes the subjects with a golden light. Many other dead or wounded soldiers lie around the central group, and a similar train of eight wounded, with two orderlies, advances in the background. The line of tall, blond soldiers forms a naturalist allegorical frieze, with connotations of a religious procession. ![]() Their eyes are bandaged, blinded by the effect of the gas, so they are assisted by two medical orderlies. Nine wounded soldiers walk in a line, in three groups of three, along a duckboard towards a dressing station, suggested by the ropes on the right side of the picture. The composition includes a central group of eleven soldiers depicted nearly life-size. Yale Centre for British Art A photograph similar to Gassed of British troops blinded by poison gas during the Battle of Estaires, 1918 Details Study for Gassed Soldiers, John Singer Sargent, 1918. It visited the US in 1999 for a series of retrospective exhibitions, and then from 2016 to 2018 for exhibitions commemorating the centenary of the First World War. It is now held by the Imperial War Museum. The painting was finished in March 1919 and voted picture of the year by the Royal Academy of Arts in 1919. Sargent was commissioned by the British War Memorials Committee to document the war and visited the Western Front in July 1918 spending time with the Guards Division near Arras, and then with the American Expeditionary Forces near Ypres. It depicts the aftermath of a mustard gas attack during the First World War, with a line of wounded soldiers walking towards a dressing station. Gassed is a very large oil painting completed in March 1919 by John Singer Sargent. For the 1940 painting by Edward Hopper, see Gas (painting). The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.This article is about the 1919 painting by John Singer Sargent. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. ( Note: Editors who post this notice are strongly encouraged to add details explaining how it applies to this file.) The metadata on this page was imported directly from NARA's catalog record additional descriptive text may be added by Wikimedians to the template below with the " description=" parameter, but please do not modify the other fields. Please do not overwrite this file: any restoration work should be uploaded with a new name and linked in this page's " other versions=" parameter, so that this file represents the exact file found in the NARA catalog record to which it links. National Archives and Records Administration Series: Photographs of American Military Activities (National Archives Identifier: 530707).Record group: Record Group 111: Records of the Office of the Chief Signal Officer ( National Archives Identifier: 440).A normal copyright tag is still required. ![]() This tag does not indicate the copyright status of the attached work. ![]()
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